منابع مشابه
To wake in fright.
Most episodes ofawareness under anaesthesia are due tofaulty apparatus or technique When ether was introduced in the 1840s as an anaesthetic many of the original patients were pain free but not unconscious. Further developments led to the recognition of a need for a concentration of anaesthetic in the brain that produced both analgesia and unconsciousness. Such a state (Guedel stage III) was in...
متن کاملStage Fright: Modernism Anti-the- Atricality & Drama
These strike me as the sharpest edges of The Dubious Spectacle, but I’ve hardly done justice to the whole; there are surprising chapters on American drama (there’s no better successor to Bentley’s “Trying to Like O’Neill” than Blau’s “The Pipe Dreams of Eugene O’Neill in the Age of Deconstruction”), and on photography, and the essays are studded with moving appreciations of several colleagues, ...
متن کاملStage fright in singers: three reaction types.
Drawing on both my own personal experience and that of many colleagues and pupils, I shall describe three kinds of reactions to stage fright. The first is the primarily mental reaction of derealization, which involves feeling cut off from fear and decreasing body awareness. The second and third reactions to stage fright involve (a) increased and (b) decreased muscle tonus and their associated b...
متن کاملEnjoyment of Mediated Fright and Violence: A Meta-Analysis
In this meta-analysis, we synthesized data from published journal articles that investigated viewers’ enjoyment of fright and violence. Given the limited research on this topic, this analysis was primarily a way of summarizing the current state of knowledge and developing directions for future research. The studies selected (a) examined frightening or violent media content; (b) used self-report...
متن کاملthe effects of speech rate,prosodic features, and blurred speech on iranian efl learners listening comprehension
کلید واژه ها به زبان انگلیسی: effect of speech rate on listening comprehension, blurred speech,segmental and suprasegmental features,authentic speech,intelligibility, discrimination, omission, assimilation چکیده: سرعت مطالب شنیداری در کلام پیوسته بطور کلی همواره کابوسی بوده برای یادگیرنده های زبان دوم و بالاخص برای شنوندگان ایرانی. علی رغم عقل سلیم که کلام با سرعت کندتری فعالیتهای درک مطلب شن...
15 صفحه اولذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: BMJ
سال: 1909
ISSN: 0959-8138,1468-5833
DOI: 10.1136/bmj.2.2537.420-b